Discover Villa Gregoriana

Discover Villa Gregoriana

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Discover Villa Gregoriana
On this page, you will find introductory texts, videos and podcasts that will accompany you throughout your visit

You can either start to learn at home all about the property you're planning to visit, or you can access this page once you're here and read it on your smartphone as you make your way along the visitor route.

See here for more information on your visit.

The videos, slideshows and map of the itineraries were created thanks to the contribution of Lazio Region for the project titled “Villa Gregoriana Complex: new technologies for sustainable conservation, enhancement, management and utilisation” under the public notice “DTC2: Research and development of technologies for the exploitation of the cultural heritage”.

Along the river
The value of the water
The power of the water
A man made creation
The water industry
Energy from water
The meaning of FAI at Villa Gregoriana
Cesare Nebbia, Sbarco nel Lazio dei tre fratelli greci Catillo, Corace e Tiburto e battaglia contro i Latini, Villa d’Este, 1569
Myths and Legends of Ancient Tibur
Abraham Louis Rodolphe Ducros, Le cascate di Tivoli, 1799
The Temples of the Ancient Acropolis
Gaspar van Wittel, Veduta di Tivoli con le cascatelle e la villa di Mecenate, 1691
The “legend” of Tivoli, a key stage on the Grand Tour
John Brett, La Campagna romana in lontananza, 1864
The Tiburtine landscape
Giovanni Battista Piranesi, Scenographia operis includentis Specum Aquae Virginis, 1762
The creation of the Gregorian Tunnels
Athanasius Kircher, Civitatis Tyburis Delineatio, 1671
The importance of water for Tivoli
Myths and Legends of Ancient Tibur

Tivoli is a special place: here, Nature manifested itself to people in extraordinary forms that, for the ancients, were indicative of its status as a sacred place. History and nature became fused with myths – from that of the origins of the city through to the cult of Hercules and the Sibyl – to such an extent as to be immortalised in the cycle of frescoes in the “Tiburtine Halls” at Villa d’Este, which dates from the Renaissance and is today a UNESCO World Heritage Site.

Cesare Nebbia, Arrival in Lazio of the three Greek brothers Catillus, Coras and Tiburtus, and Battle against the Latins, Villa d’Este, 1569
Cesare Nebbia, Costruzione delle mura di Tivoli, Villa d’Este, 1569
Cesare Nebbia, Re Anio annega nel fiume per salvare la figlia rapita da Mercurio, Villa d’Este, 1569
Cesare Nebbia, Adorazione di Ino-Leucotea-Mater Matuta, significata per Sibilla Albunea-Tiburtina, Villa d’Este, 1569
Cesare Nebbia, Hercules of Saxony, Villa d’Este, 1569
The Temples of the Ancient Acropolis

Of the acropolis of ancient Tibur, built on top of a natural fortification, there remain two, almost complete temples, dating from the 2nd-1st century B.C. Until the 19th century, they fascinated artists and travellers thanks to their location, as if suspended over the River Aniene, which came rushing with a thunderous waterfall down into the so-called Valley of Hell, below.

Hendrick van Cleve, Tivoli, tempio c.d. di Vesta e Cascate, 1560
Fianco del Tempio di Vesta, in Francesco Piranesi, Raccolta de’ tempj antichi, 1780
Joseph Mallord William Turner, Tivoli con il tempio della Sibilla e le Cascate, 1796-97
Abraham Louis Rodolphe Ducros, Le cascate di Tivoli, 1799
Luigi Rossini, Il tempio di Vesta a Tivoli, 1824
Gaetano Cottafavi, I due tempj creduti di Vesta e della Sibilla in Tivoli, 1848
The “legend” of Tivoli, a key stage on the Grand Tour

From the late 17th century onwards, Tivoli became – alongside Rome, Florence and Venice – an essential stop-off on the Grand Tour, the educational journey through Italy taken by young European aristocrats. Attracted by the spellbinding horror of wild nature, fused here with evocations of myth and testaments to history, the area was visited by artists, intellectuals, princes and rulers.

Gaspar van Wittel, Veduta di Tivoli con le cascatelle e la villa di Mecenate, 1691
Michael Wutky, Veduta di Tivoli con la cascata dell’Aniene, 1718
Abraham Louis Ducros, Grand Duke Paolo and Grand Duchess Maria at Tivoli, circa 1782
Johann Heinrich Wilhelm Tischbein, Goethe nella campagna romana, 1787
Élisabeth Vigée le Brun, Ritratto di Madame de Stael come Corinna, 1808
The Tiburtine landscape before the deviation of the River Aniene

Until the 19th century, on reaching Tivoli the River Aniene rushed down into a deep gorge under the temples of the acropolis, giving rise to a veritable Romantic landscape characterised by caves, waterfalls and precipices, depicted and described by numerous artists and writers. Having made our way round the spur on which the town was built, the Roman countryside would then appear before our eyes.

 Gaspar van Wittel, Veduta dell’Aniene prima della cascata, 1691
Gaspar van Wittel, Veduta dell’Aniene prima della cascata, 1691
Gaspar van Wittel, Veduta panoramica di Tivoli, 1691
Gaspar van Wittel, Veduta di Tivoli con il tempio di Vesta e le cascate dell’Aniene, 1695 - 1705 ca.
Jakob Philipp Hackert, Cascate di Tivoli col tempio della Sibilla, 1769
Johann Martin von Rohden, Le cascate a Tivoli, Inizi XIX secolo
Luigi Rossini, Veduta della Gran Caduta dell’Aniene in Tivoli, 1825
Joseph Mallord William Turner, I pifferari, 1838
John Brett, La Campagna romana in lontananza, 1864
The creation of the Gregorian Tunnels, the birth of Villa Gregoriana

After the devastating flood of the Aniene in 1826, work began on the impressive hydraulic-engineering project to deviate the river away from the conurbation of Tivoli. In 1835, with Pope Gregory XVI in attendance, the Gregorian Tunnels and Villa Gregoriana were inaugurated.

Johann Christian Reinhart, Rovine cagionate a Tivoli, dall'escrescenza dell'Aniene, 1826
Disegno su progetto di Clemente Folchi, Imbocco dei trafori Gregoriani, 1826 - 1838
Disegno su progetto di Clemente Folchi, Sbocco dei trafori Gregoriani, 1826 - 1838
Gaetano Cottafavi, Nuova cascata dell’Aniene a Tivoli, 1835
Giovanni Riveruzzi, Tivoli - inaugurazione del traforo di monte Catillo e apertura dei cunicoli dell'Aniene, alla presenza di Gregorio XVI il 7 ottobre 1835, 1835
The importance of water for the development of Tivoli

As far back as the 3rd century B.C., the value of the abundant water of the River Aniene had already been discerned, and so it began to be exploited, with not just simple infrastructure for water catchment but also levees, dams, basins, deviations, crossings and canals. Through the Aniene Aqueducts, the water was channelled to guarantee aqua publica for the citizens of Rome; from the Middle Ages, the water was used to power mills, paper factories and other industries; and from the mid-19th century it was utilised for the generation of electrical energy.

Giovanni Battista Piranesi, Scenographia operis includentis Specum Aquae Virginis, 1762
Thomas Ashby, Campagna di Roma, l’Acqua Alexandrina attraversa Fosso Centocelle, 1899
Athanasius Kircher, Civitatis Tyburis Delineatio, 1671
Panorama delle cartiere a Tivoli, inizio Novecento
Manifesto della neonata Società per le Forze Idrauliche, 1886
Prima Centrale di Vesta, 1886
Costruzione dello sbarramento del bacino di San Giovanni, 1925
Surrounding attractions
Click on the link and access the map to find out all about FAI's recommended itineraries, which can be enjoyed on foot, by bike or by car, and to discover local places of interest that are very much worth visiting .
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